Performer: Nightwish Album: Elan Label: Nuclear Blast Records. Catalog #: NB 3484-0 Style: Symphonic Power Metal Year: 2015 Format: FLAC (image +.cue) Bitrate: lossless Covers: full (600 DPI) Amount of tracks: 4 Size ZIP: 145 mb Upload: nitroflare.com Password: without a password One of the most infamous symphonic rock bands in the world is back- and they’re back with some new talent. With the lovely Floor Jansen (After Forever – ReVamp) taking the official role of lead vocalist, the female-fronted band is ready to take this new musical era by storm.
Throughout the years, Nightwish has changed their singing talents, and as such, the music found ways to transform to accompany the new voices. However, the innate, epic, almost cinematic ‘Nightwish’ quality sound continues to seep into every song that they do, and is instantaneously recognize by fans alike. Performer: Cat Stevens Album: Remember - The Ultimate Collection Label: Island. Performer: Selena Gomez & The Scene Album: When The Sun Goes Down Label: Hollywood Records. Catalog #: AVCW-13132 Style: Pop Year: 2011 Format: FLAC (image +.cue) Bitrate: lossless Covers: in archive Amount of tracks: 15 Size ZIP: 513 mb Upload: nitroflare.com Password: without a password When the Sun Goes Down is the third studio album by American band Selena Gomez & the Scene, released on June 21, 2011, by Hollywood Records. The band worked with several artists on this album, including writers and producers from their debut, Kiss & Tell (2009), and their second album, A Year Without Rain (2010), such as Rock Mafia's Tim James and Antonina Armato, as well as Katy Perry, Devrim 'DK' Karaoglu, and Toby Gad.
New contributors to this album included Britney Spears, Priscilla Renea, Emanuel Kiriakou, Dreamlab and Sandy Vee. Performer: Ozzy Osbourne Album: Memoirs Of A Madman Label: Legacy, Epic. Catalog #: EICP-30044 Style: Heavy Metal Year: 2014 Format: FLAC (image +.cue) Bitrate: Lossless Covers: full (300 DPI) Amount of tracks: 17 Size ZIP: 603 mb Upload: nitroflare.com Password: without a password 'Memoirs of a Madman' is a compilation by hard rock/heavy metal vocalist Ozzy Osbourne, released by Epic Records and Legacy Recordings on 14 October 2014.
Audio release featuring 17 of OZZY’s greatest hit singles compiled in one place for the first time in his career and will be available in a single CD. Performer: Bronski Beat Album: The Age Of Consent Label: Metronome. Catalog #: 820 171-2 Style: Electronic, Synth-pop Year: 1984 Format: FLAC (image +.cue) Bitrate: lossless Covers: in archive Amount of tracks: 12 Size ZIP: 404 mb Upload: nitroflare.com Password: without a password The Age of Consent is the debut album by synthpop band Bronski Beat (Steve Bronski, Larry Steinbachek and Jimmy Somerville), released on London Records on 15 October 1984. This was the only album released by the band to feature Somerville, who departed the band in 1985. Performer: Bruce Springsteen Album: Born In The U.S.A. Catalog #: CDCBS 86304 Style: Rock Year: 1984 Format: FLAC (image +.cue) Bitrate: lossless Covers: full (600 DPI) Amount of tracks: 12 Size ZIP: 391 mb Upload: nitroflare.com Password: without a password Born in the U.S.A. Is the seventh studio album by American rock singer-songwriter Bruce Springsteen, released on June 4, 1984.
A critical and commercial success, it found Springsteen marking a departure in his sound. While its predecessor, the dark and acoustic Nebraska, featured songs of pessimism and isolation, Born in the U.S.A.' S lyrics expressed signs of hope in the daily fight of the ordinary American in following the American Dream, a new feeling complemented by synthesized arrangements and a pop-flavored, radio-oriented sound that helped Springsteen to extend his popularity and appeal to mainstream audiences.
Greatest Hits: My Prerogative appeared at the tail end of a year where was married twice, canceled a tour, injured her knee, lost the movie role of Daisy Duke to rival teen pop diva, was a punch line in Fahrenheit 9/11, and had countless paparazzi shots of her drinking and making out in public. It was enough high-profile shenanigans for a career, and it was par for the course for, who hadn't been out of the pop culture headlines since she released her debut album.Baby One More Time, in January 1999. In the nearly six years separating that debut album and the release of Greatest Hits in November 2004, was omnipresent, representing both the entire teen pop phenomenon of the turn of the millennium, plus the teasing, Maxim-fueled sexuality of the time; it's not for nothing that Tom Wolfe name drops, not archrival, in his 2004 novel I Am Charlotte Simmons - alone captured the era, which in turn is captured on this 17-track hits collection. If had a hard time being a voice of a generation (which he does acknowledge in his autobiography, Chronicles), imagine the weight put upon this simple Louisiana girl who just wanted to be famous and became a cultural icon instead! During those six years, she kept turning out product, selling herself with increasingly racy photographs, all the while being used as an example of everything that's wrong with pop culture, or even worse, as the subject of cultural theses explaining pop culture. No wonder that after six years of mind-boggling fame she wanted to abandon her career for motherhood - it's exhausting being in the limelight, even for a shameless pop star!
“Greatest Hits: My Prerogative” is the first greatest hits album by Britney Spears. It was released on November 8, 2004. It was released on November 8, 2004. Britney's 'Prerogative' Hits The Streets — On A Mixtape. In her remake of Bobby Brown's 'My Prerogative,' Britney Spears sings about keeping it real. 'My Prerogative' is the first single.
So, Greatest Hits arrived at a perfect time - just as her star was fading, just as the teen pop era grew to a close, and just as she readied herself for retirement. As a time capsule, Greatest Hits does its job well. It has all of her hits outside of 'From the Bottom of My Broken Heart,' a largely forgotten ballad from her debut released just before her second album, Oops!I Did It Again, and it contains two very good previously unreleased tunes, including the outtake 'I've Just Begun (Having My Fun),' an infectious spin on 's 'Hella Good' that betters most of the songs that were featured on the album (it also has a useless remake of 's 'My Prerogative,' which seems to exist solely for its video).
Clearly, this is the album not just for the casual fan, but for any fan of, because like most teen pop singers, her albums are notoriously spotty affairs, memorable largely for the singles themselves. What is surprising is that those singles - all presented here in their hit forms, which means this has the 'Stop Remix' of '(You Drive Me) Crazy,' not the album version - are somewhat less than the sum of their parts when collected together. The similarities in 's clanking, insistent writing and production become blindingly evident, and 's thin, squeaky voice wears thin over the course of 17 songs.
![Britney Spears Greatest Hits My Prerogative Zip Britney Spears Greatest Hits My Prerogative Zip](/uploads/1/2/5/5/125524587/479608138.jpg)
Also, the song selection and sequencing emphasize keeping the perfect beat over chronology, which not only makes it a little harder to listen to as an album, it puts the focus on the individual songs, which seem neither as hooky or catchy as they did when they were initially on the radio. There are exceptions to the rule, of course - '.Baby One More Time' still retains its punch, 'Oops!I Did It Again' is so silly it's hard to resist, '(You Drive Me) Crazy' is fluffy dance-pop at its best, and 'Toxic' is a delirious, intoxicating rush - but they're all better as individual moments, even if when taken together, they do illustrate the cacophonous monotony of her music and, yes, her time quite well. So, even if it isn't a great listen as a cohesive album, Greatest Hits does perform the valuable function of offering all of 's hits in one place, and it does work as a portrait of the time when was the defining figure of American pop culture. But if you compare it to, which captured the time when was the defining figure of American pop culture and does work as an album, it's clear that a cultural artifact isn't necessarily the same thing as great music.